See also ORCID: https://orcid.org/0000-0001-5383-4437
COMPOSITION AVAILABLE ON CD***************************************************************************************************************************************
COMPOSITION AVAILABLE ON CD
DEGEM CD No 23 - Listening Machines – Ecological Perspectives, curated by Nicola L. Hein. EDITION DEGEM 2023 (German Electroacoustic Music Society)
QUANTIC LANDSCAPE (2023), acousmatic
Author: Garavaglia, J. A.
INFO:
- https://shop.aufabwegen.de/aufabwegen-Experimental-Music?cat=118
- https://www.degem.de/cds-dvds/listening-machines-ecological-perspectives/
- https://www.emdoku.de/en/work/emdoku/6045
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COMPOSITION AVAILABLE ON CD
DEGEM CD No 22 "Soundscape Komposition" (2022), EDITION DEGEM 2022 (German Electroacoustic Music Society)
BEFREMDLICHE LANDSCHAFTEN (2021), stereo acousmatic
Author: Garavaglia, J. A.
INFO:
- https://shop.aufabwegen.de/aufabwegen-Experimental-Music?cat=118
- https://emdoku.de/de/media/6123
- https://www.emdoku.de/en/work/emdoku/56090
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DEGEM CD No 20 "im hier und jetzt oder nie" (2021), EDITION DEGEM 2021, for the 30th anniversary of DEGEM (German Electroacoustic Music Society)
MINIATURSTÜCK I (2010), octophonic acousmatic music
Author: Garavaglia, J. A.
INFO:
- https://www.degem.de/cds-dvds/zukunftsmusik-im-hier-und-jetzt-oder-nie-wendepunkte/
- https://emdoku.de/de/media/5926
- https://www.emdoku.de/en/work/emdoku/28619
***************************************************************************************************************************************PRESS RELEASE: Article by Lena Schneider, TAGESPIEGEL/Potsdamer Neuste Nachrichten (ONLINE & IN THE PAPER EDITION - 18.08.2021):
BEETHOVENS GEIST (2020), audiovisual installation by Javier A. Garavaglia and Claudia Robles-Angel, featured in an article by TAGESPIEGEL/ Potsdamer Neuste Nachrichten for its presentation at INTERZONANZEN 2021, Festival für neue Musik in Potsdam , Germany.
The installation invites visitors to immerse themselves in a space made up of coloured shadows (inspired by Goethe’s Colour Theory) and a special way of listening to music, via bone transmission technologies.
Article avaliable @: https://www.pnn.de/kultur/festival-fuer-neue-musik-in-potsdam-hoeren-mit-dem-schaedelknochen/27529972.html
***************************************************************************************************************************************COMPOSITION/INSTALLATION in BOOK of the TANGENTIALE 2020 EXPOSITION (Bonn - Germany)
Book: TANGENTIALE: 9 Ausstellungen an 9 Orten
Authors: Susanne Grube, Anna Kampe-Carsten and Elisabeth Wynhoff
Publisher: Künstlerforum Bonn, 2021
BEETHOVENS GEIST (audiovisual installation by Javier A. Garavaglia and Claudia Robles-Angel, 2020)
Pages: 30-33
ISBN 978-3-00-068603-0
***************************************************************************************************************************************PAPER IN PROCEEDINGS OF INTERNATIONAL CONFERENCE
Spatialisating the Same Acousmatic Composition in Different Venues Featuring High-Density Loudspeaker ArraysProceedings of the 45th International Computer Music Conference (ICMC) 2019 in NYC (USA), pp. 27-32
(2019-2021) published by the International Computer Music Association (1819 Polk Street, San Francisco, California 94019, USA)ISBN: 0-9845274-8-6
Author: Garavaglia, J. A.
Currently available at: https://www.fulcrum.org/epubs/9880vt18d?locale=en#page=18 (p. 27-32) and https://icem.folkwang-uni.de/~gara/DOWNLOADS/icmc2019_proceedings.final.pdf
***************************************************************************************************************************************LONG ARTICLE IN INTERNATIONAL PUBLICATION
Creating Multiple Spatial Settings with Granular Spatialisation in the High-Density Loudspeaker Array of the Cube Concert HallCOMPUTER MUSIC JOURNAL
Winter 2016, Vol. 40, No. 4, "High-Density Loudspeaker Arrays, Part 1: Institutions", pp. 79-90
2017, Massachusetts Institute of Technology (MIT Press)ISSN: 0148-9267
E-ISSN: 1531-5169
doi: 10.1162/COMJ_a_00384Author: Garavaglia, J. A.
Available at: https://www.mitpressjournals.org/doi/abs/10.1162/COMJ_a_00384
****************************************************************************************************************************************ARTICLE IN PROCEEDINGS BOOK OF INTERNATIONAL CONFERENCE (ICMC 2016)
Granular Spatialisation, a new method for sound diffusion in high-density arrays of speakers and its application at the Spatial Audio Workshop residency at Virginia Tech (August 2015) for the composition of the acousmatic piece Spatial Grains - Soundscape No 1, for 138 speakers
Proceedings of the 42nd International Computer Music Conference 2016. H. Timmermans (Ed.), HKU University of the Arts Utrecht, HKU Music and Technology, pp. 27-32.
ISBN-10: 0-9845274-5-1 / ISBN-13: 978-0-9845274-5-8Author: Garavaglia, J. A.
Available at: https://quod.lib.umich.edu/i/icmc/bbp2372.2016.006/--granular-spatialisation-a-new-method-for-sound-diffusionin?view=image****************************************************************************************************************************************COMPOSITION IN INTERNATIONAL FESTIVAL CATALOGUE WITH DVD
WOODEN WORLDS in "Hören: multisensorial - Internationales Klangkunstfest Berlin 2014 - Jubiläums Edition 2004-2014", edited by Thomas Gerwin (Berlin: Inter-Art-Project, 2015)
This catalogue includes descriptions of all of the pieces included in the program of this jubilee edition of the International Sound Art Festival between September and October 2014. The Festival featured on this occasion the piece WOODEN WORLDS by Javier A. Garavaglia and Claudia Robles Angel on 25.9.14 at the Bibliothek in Luisenbad, Berlin.
The attached DVD provides highlights of the piece during that performance. The piece is mentioned in pages 38-39.
ISBN 978-3-00-048620-3
Available at: http://d-nb.info/1068880511
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Full automation of real-time processes in interactive compositions: two related examplesProceedings of the Sound and Music Computing Conference 2013, edited by Roberto Bresin, KTH Royal Institute of Technology, Stockholm (2013), pp. 164-171.
ISBN 978-91-7501-831-7
Author: Garavaglia, J. A.
Available at: https://www.speech.kth.se/smac-smc-2013/
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WOODEN WORLDS - An Audiovisual Performance with Multimedia Interaction in Real-timeInteractive Media Art Conference (IMAC) 2011 Proceedings, edited by Morten Søndergaard, Aalborg University Press, 2012, pp. 54-59.
ISBN: 978.87.7112.037.0Authors: Javier A. Garavaglia & Claudia Robles-Angel
Available at: https://vbn.aau.dk/da/publications/re-new-imac-2011-proceedings
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Music Dramaturgy and Human Reactions: Music as a Means for CommunicationProceedings of the 9th International Symposium on Computer Music Modelling and Retrieval (CMMR 2012) Music and Emotions, edited by Mitsuko Aramaki, Mathieu Barthet, Simon Dixon, Richard Kronland-Martinet & Solvi Ystad, Queen Mary - University of London and Laboratory of Mechanics and Acoustics (LMA, France), 2012 - pp. 112-127 (no ISBN)
Author: Garavaglia, J. A.
- Article @: http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.638.8113
- Full Proceedings CMMR 2012 @: http://isophonics.co.uk/sites/cmmr2012.eecs.qmul.ac.uk/files/pdf/CMMR2012ProcceedingsFinal.pdf
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ARTICLE ONLINE- INTERNATIONAL CONFERENCE (ISEA 2011)
WOODEN WORLDS - Aesthetical and Technical aspects of a Multimedia Performance using Real-time InteractionProceedings of the Inter-Society for the Electronic Arts (ISEA) 2011 (September 2011, Istanbul, Turkey), p. 894-899.
Authors: Javier A. Garavaglia and Claudia Robles-Angel.
Available here
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ARTICLE IN BOOK
Raising Awareness About Complete Automation of Live-Electronics: a Historical PerspectiveAuditory Display, 6th International Symposium CMMR/ICAD 2009, Copenhagen, Denmark, May 2009. Revised papers. Lecture Notes in Computer Science - LNCS 5054
Springer Verlag. Berlin, Heidelberg (2010) pp. 438-465.
ISSN 0302-9743
Author: Garavaglia, J. A.
ISBN-10 3-642-12438-0 / Springer Verlag. Berlin, Heidelberg, New York.
ISBN-13 978-3-642-12438-9 / Springer Verlag. Berlin, Heidelberg, New York.
DOI: https://doi.org/10.1007/978-3-642-12439-6_23
ONLINE ISBN: 978-3-642-12439-6Available at: https://link.springer.com/chapter/10.1007/978-3-642-12439-6_23
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PAPER IN PROCEEDINGS BOOK OF INTERNATIONAL CONFERENCE (ICAD 2009 - TIMELESS SOUND) - Copenhagen, Denmark
Full Automation In Live Electronics: Advantages and Disadvantages
Proceedings of the International Conference on Auditory Display 2009 (ICAD)
Edition: Kristoffer Jensen. May 2009. Publisher: Re:New - Digital arts Forum (Denmark) pp. 112-118.
ISBN: 978-87-7606-033-6
Author: Garavaglia, J. A.
Available ONLINE at: http://www.icad.org/Proceedings/2009/Garavaglia2009.pdf
****************************************************************************************************************************************INTERACTIVE COMPOSITION AVAILABLE ON COMMERCIAL CD - Re:New 09 Festival - Denmark
farb_laut E - VIOLET for Viola & MaxMSP
Recorded live on April 4th, 2009 at the C.U.N.Y. Graduate Center, NYC, USA. Viola: Javier A. Garavaglia.Author: Garavaglia, J. A.
****************************************************************************************************************************************ARTICLE IN BOOK / EXCERPTS OF COMPOSITION’S RECORDING ON ATTACHED AUDIO CD (FEB. 2009)
Internationales Klangkunstfest farb_laut - Ausstellung, Konzerte und Symposium, edited by Thomas Gerwin.Book contains: Garavaglia's CV and programme notes to the piece farb_laut E - VIOLET for viola & MaxMSP (in German), p. 17 & p.47.
Attached Audio CD contains (Track 2) excerpts (7 min and 34 sec) of the premiere of the piece farb_laut E - VIOLET for viola & MaxMSP in Berlin (1.11.2008, Teehaus im Englischen Garten) Viola: Javier A. Garavaglia.
ISBN: 978-3-00-026998-1
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JMM - The Journal of Music and Meaning
JMM 7, Fall/Winter 2008
Invited Paper:
Music and Technology: What Impact Does Technology Have on the Dramaturgy of Music?
ISSN 1603-7170
Author: Garavaglia, J. A.
Available at: https://www.musicandmeaning.net/issues/showArticle.php?artID=7.2
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Live-electronics: Procesamiento del sonido en tiempo real. Perspectiva histórica - Distintos métodos y posturas
Escritos sobre Audiovisión - Lenguajes, Tecnologías, Producciones - LIBRO 3 - Compilation by Susana Espinosa - Colección Humanidades y Arte / Serie Audiovisión - 2008 - Ediciones de la UNLa (Lanús, Argentina), pp. 161-174.
ISBN 978-987-1326-20-4
(Article published in Spanish)
Author: Garavaglia, J. A.
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Music and technology: What impact does technology have on music’s dramaturgy?
Proceedings of the 2008 Computers in Music Modelling and Retrieval (CMMR) and Network for Cross-Disciplinary Studies of Music and Meaning Conference (NTSMB) - Genesis of Meaning in Digital Art.
Edition: Kristoffer Jensen. May 2008. Publisher: Re:New - Digital arts Forum (Denmark), pp. 99-108.
ISBN: 978-87-7606-027-5Author: Garavaglia, J. A.
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inventionen 2008 - Musik für mehr als einen Lautsprecher - Programmbuch
Internationale Tagung SMC08 - 23rd July to 3rd August 2008. Konzerte und Installationen.
Programme notes: Pathétique, p. 45 (in German).
Publisher: 2008, PFAU - Verlag - Postfach 102314 - D - 66023 Saarbrücken.
ISBN: 978-3-89727-392-4Author: Garavaglia, J. A.
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Sound&Media Studios @ Londonmet, Commercial Rd
Proceedings of the 2007 International Computer Music Conference, Volume 1. Edition: The International Computer Music Conference Association (USA) and Re:New - Digital arts Forum (Denmark). August 2007. Publisher: Suvisoft Oy Ltd, Finland, pp. 303-306.
ISBN: 0-9713192-5-1Author: Garavaglia, J. A.
Available at: https://quod.lib.umich.edu/i/icmc/bbp2372.2007.065/1
****************************************************************************************************************************************ACOUSMATIC COMPOSITION AVAILABLE ON COMMERCIAL CD
GRANULAR GONGCD Festival Internacional Sonoimágenes 2005 - VOLUMEN 1 / Colección SONIDOS Y VISIONES DEL SUR / Música electroacústica de compositores nacionales e internacionales’, edited by the Universidad Nacional de Lanús, Argentina (2005).
Author: Garavaglia, J. A.
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NINTH for viola and MAX-MSP
MITTEILUNGEN Nr. 44
Editor: Deutsche Gesellschaft für Elektroakustische Musik. (2003) (pp. 57-63)
Publisher: PFAU - Verlag - Postfach 102314 - D - 66023 Saarbrücken.
ISSN: 1435 - 5884
(Article published in English)
Author: Garavaglia, J. A.
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Overture (in memoriam T.A.T.)CD DeGeM (Deutsche Gesellschaft für Elektronische Musik) - CD Nr. 7 (Cybele 960.207 - Germany) (2003) https://www.cybele.de/
Author: Garavaglia, J. A.
****************************************************************************************************************************************ACOUSMATIC COMPOSITION AVAILABLE ON COMMERCIAL CD
Arte Poética (I)CD Florida Electroacoustic Music Festival - VOLUME 1 produced by Electronic Music Foundation (USA, 2002)
Author: Garavaglia, J. A.
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An approach to Music's dramaturgy with the interaction of technological devices. A composer's review of "NINTH (music for viola & computer)" for viola and MAX-MSP
Proceedings of the 9th Biennial Symposium on Arts and Technology at Connecticut College (New London - CT - USA 2003).
(no ISBN)Author: Garavaglia, J. A.
****************************************************************************************************************************************ACOUSMATIC COMPOSITION AVAILABLE ON COMMERCIAL CD
Overture (in memoriam T.A.T.)CD Ex-Machina Vol. 6 (Cybele 960.106 - Germany) (2001) https://www.cybele.de/
Author: Garavaglia, J. A.
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Composition principles for Spectral colours for Ensemble and Tape
Proceedings of the 8th Biennial Symposium on Arts and Technology at Connecticut College (New London - CT - USA 2001).
(no ISBN)Author: Garavaglia, J. A.
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KlangRaum Kreuzeskirche 99 - Programmbuch.
Programme notes: Overture (im memoriam T.A.T.), pp 119-120.
Publisher: 1999, PFAU - Verlag - Postfach 102314 - D - 66023 Saarbrücken.
ISBN: 3-89727-065-X
Author: Garavaglia, J. A.
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INTERDISCIPLINARY RESEARCH PROJECT: COLOR CODE (1998)
Multimedia project by the Gruppe ANIMATO, for quadraphonic tape, viola, live-electronics (MAXMSP) and computer graphics on two screens, in cooperation with the Universität Bielefeld, the Folkwang-Hochschule Essen and the research group "Multimedia and Kunst" (Germany).
Funded by the Ministerium für Wissenschaft und Forschung des Landes Nordrhein-Westfalen.
The project attracted substantial funding of DM 120000 (equivalent today to ca. 60000 Euros) for the 7. Internationales Vilém-Flusser-Symposium at the Fachhochschule Bielefeld in November 1998. The project Color Code is based on Flusser's text "Postmoderne Farben" (Postmodern Colours, 1988), where the "quantifying" (mathematical) and "qualifying" (artistic) codes are expressed with the help of colour.
In the form of an audiovisual concert installation Color Code makes the idea of colour also present with sounds (Klangfarbe) due to the use of electroacoustic music in all its possibilities (tape, real time computer generated live-electronics and a live instrument). A new and very important point is that of bringing together decisions of "pure" rational thought as well as of free imagination, by combining graphic art, music and mathematics.
****************************************************************************************************************************************ACOUSMATIC COMPOSITION AVAILABLE ON COMMERCIAL CD
Arte Poética (I)CD Ex-Machina "TANGENT" (Cybele 960.102 - Germany) (1996) https://www.cybele.de/
Author: Garavaglia, J. A.
****************************************************************************************************************************************PAPER IN PROCEEDINGS BOOK OF INTERNATIONAL CONFERENCE / II Brazilian Symposium on Computer Music - Canela (Brazil, 1995).
THE NECESSITY OF COMPOSING WITH LIVE - ELECTRONICS. A short account of the piece "Gegensätze (gegenseitig)" and of the hardware (AUDIACSYSTEM) used to produce the real-time processes on itProceedings Book of the II SBC-UFRGS, pp. 65-71, edited by Eduardo Reck Miranda. Publisher: Gráfica Editora Pallotti - Brazil, 1995 (no ISBN)
Author: Garavaglia, J. A.
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